{"id":187,"date":"2026-04-14T10:50:28","date_gmt":"2026-04-14T10:50:28","guid":{"rendered":"https:\/\/www.resonances21.com\/?page_id=187"},"modified":"2026-04-14T10:51:16","modified_gmt":"2026-04-14T10:51:16","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/www.resonances21.com\/index.php\/repertoire\/","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"187\" class=\"elementor elementor-187\">\n\t\t\t\t<div class=\"elementor-element elementor-element-41d3f6f e-flex e-con-boxed e-con e-parent\" data-id=\"41d3f6f\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7078fa3 elementor-widget elementor-widget-text-editor\" data-id=\"7078fa3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Dennis Hugh AVEY,\u00a0<em>Color Configurations<\/em>\u00a0(1983), arr. Amy RICE-YOUNG<\/p><p>L\u00e9onard BERNSTEIN,\u00a0<em>Divertimento pour orchestre-Waltz<\/em><\/p><p>Georges BIZET,\u00a0<em>L\u2019Arl\u00e9sienne-Farandole<\/em><\/p><p>Patrice BOCQUILLON,\u00a0<em>Territoires<\/em><\/p><p>L\u00e9on BO\u00cbLLMANN,\u00a0<em>Toccata<\/em>,\u00a0<em>Suite gothique<\/em><\/p><p>Adriaan BONSEL,\u00a0<em>Anthriscus Sylvestris\u00a0<\/em>(cr\u00e9ation fran\u00e7aise 2020)<\/p><p>Johannes van BREE,\u00a0<em>Allegro moderato<\/em>\u00a0pour 4 quatuors<\/p><p>Sonny BURNETTE,\u00a0<em>Flute Fandango<\/em>\u00a0(2009)<\/p><p>Christopher CALIENDO,\u00a0<em>Flamenco Suite<\/em><\/p><p>Derek CHARKE,\u00a0<em>Raga Sept \u00ab\u00a0Double\u00a0\u00bb<\/em>\u00a0(2014)<\/p><p>Dimitri CHOSTAKOVITCH,\u00a0<em>L\u2019Age d\u2019or-Polka<\/em><\/p><p>Ian CLARKE,\u00a0<em>Within\u2026<\/em><\/p><p>Dominy CLEMENTS,\u00a0<em>The Coptic Stitch\u00a0<\/em>(cr\u00e9ation mondiale 2022)<\/p><p>Paul DESENNE,\u00a0<em>Gurrufio<\/em> (1998)<\/p><p>Sophie DUFEUTRELLE,\u00a0<em>Celestial Mammoths<\/em> (2025)<\/p><p>Camille DURAND-MABIRE,\u00a0<em>La l\u00e9gende de Pan et S\u00e9l\u00e9n\u00e9\u00a0<\/em>(cr\u00e9ation mondiale 2022)<\/p><p>Jindrich FELD,\u00a0<em>Cassation<\/em><\/p><p>Philip GLASS,\u00a0<em>Fa\u00e7ades<\/em>,\u00a0<em>Glassworks<\/em> (1981)<\/p><p>Bernard HERMANN,\u00a0<em>Psychose-Pr\u00e9lude<\/em><\/p><p>Ryohei HIROSE,\u00a0<em>Blue Train<\/em><\/p><p>Ryohei HIROSE,\u00a0<em>Marine City\u00a0<\/em>(1980)<\/p><p>Jelle HOGENHUIS,\u00a0<em>For Good<\/em>\u00a0(cr\u00e9ation version r\u00e9vis\u00e9e J Hogenhuis \u2013 O Guion 2020)<\/p><p>Jelle HOGENHUIS,\u00a0<em>J.C.Dist<\/em> (2005)<\/p><p>Will HOOGAKKER,\u00a0<em>Music for 9 flutes, R\u00e9trograde\u00a0<\/em>et\u00a0<em>Original\u00a0<\/em>(cr\u00e9ation mondiale du cycle 2020)<\/p><p>Mikhail KOKZHAYEV,\u00a0<em>Concerto pour violon et orchestre de fl\u00fbtes<\/em>\u00a0(cr\u00e9ation mondiale 2022)<\/p><p>Mikhail KOKZHAYEV,\u00a0<i>Moonlighting III\u00a0<\/i>(cr\u00e9ation version pour orchestre de fl\u00fbtes 2022)<\/p><p>Eug\u00e9nie KUFFLER,\u00a0<em>Mouettes et vaguelettes\u00a0<\/em>(cr\u00e9ation version r\u00e9vis\u00e9e O Guion 2021)<\/p><p>Sophie LACAZE,\u00a0<em>And earth moves away<\/em>, pour quatuor de fl\u00fbtes (cr\u00e9ation mondiale 2018)<\/p><p>Dominique LEMA\u00ceTRE,\u00a0<em>Glyphes, hommage \u00e0 Jean-Fran\u00e7ois Champollion<\/em><\/p><p>Egbert Jan LOUWERSE,\u00a0<em>Bataclan\u00a0<\/em>(2015), cr\u00e9ation fran\u00e7aise 2021<\/p><p>Ned McGOWAN,\u00a0<em>In the Land of Cheese\u00a0<\/em>(solistes Ludivine Issambourg, Takako Ima\u00ef, Nai\u00e9 Dutrieux)<\/p><p>Ned McGOWAN,\u00a0<em>Naruto Strait<\/em>, cr\u00e9ation fran\u00e7aise 2023<\/p><p>Gareth McLEARNON,\u00a0<em>Belfast<\/em> (2024)<\/p><p>Gareth McLEARNON,\u00a0<em>Fondant Forward<\/em> (2024)<\/p><p>Gareth McLEARNON,\u00a0<em>Single Yellow Line<\/em><\/p><p>Gareth McLEARNON,\u00a0<em>Slane\u00a0<\/em>(2024)<\/p><p>Bernard MAGNY,\u00a0<em>L\u2019Arbre-mondes\u00a0<\/em>(cr\u00e9ation mondiale, Prix du Public et Prix du Jury Prix Vedrarias 2020)<\/p><p>Christine MENNESSON, \u2026<em>Une lumineuse migration blanche dans une douceur d\u2019\u00e9ternit\u00e9\u2026\u00a0<\/em>(1998) cr\u00e9ation fran\u00e7aise 2021<\/p><p>Fran\u00e7ois NARBONI (d\u2019apr\u00e8s Claude DEBUSSY),\u00a0<em>Syrinx en r\u00e9sonance<\/em>\u00a0pour trois fl\u00fbtes<\/p><p>Wil OFFERMANS,\u00a0<em>Itsuki-no-Komori-uta<\/em> (2000)<\/p><p>Jean-Mathias PETRI,\u00a0<em>La Danse du Sirli<\/em>\u00a0(cr\u00e9ation mondiale 2018)<\/p><p>Jean-Mathias PETRI,\u00a0<em>Migrations<\/em>\u00a0(cr\u00e9ation mondiale 2024)<\/p><p>Jean-Mathias PETRI,\u00a0<em>7 Tableaux\u00a0<\/em>(Prix Vedrarias 2025)<\/p><p>Astor PIAZZOLLA,\u00a0<em>Fuga y misterio<\/em><\/p><p>Sergue\u00ef RACHMANINOFF,\u00a0<em>V\u00eapres op 37<\/em>, arr. Dominy CLEMENTS<\/p><p>Steve REICH,\u00a0<em>Vermont Counterpoint<\/em><\/p><p>Leo SAMAMA,\u00a0<em>Canon for eight<\/em>\u00a0(cr\u00e9ation fran\u00e7aise 2020)<\/p><p>Didier SCHEIN,\u00a0<em>Echos<\/em>\u00a0(cr\u00e9ation mondiale 2024)<\/p><p>Didier SCHEIN,<em> Mehr Licht<\/em> (2025)<\/p><p>Shahriar SHARIFPOUR,\u00a0<em>Il n\u2019y a rien \u00e0 voir\u00a0<\/em>(cr\u00e9ation mondiale 2020)<\/p><p>Victor SOMMA,\u00a0<em>Primals 4, <\/em><em>Nhandesy <\/em>pour fl\u00fbte sub-contrebasse et ensemble de fl\u00fbtes (cr\u00e9ation mondiale 2025)<\/p><p>Victor SOMMA, <em>Primals 5, Yvy Mar\u00e3 e\u2019<span class=\"s1\">\u1ef9\u00a0<\/span><\/em><span class=\"s1\">(cr\u00e9ation fran\u00e7aise 2026)<\/span><\/p><p>Celia SWART,\u00a0<em>Our Patio<\/em>\u00a0(commande r\u00e9alis\u00e9e avec le soutien de l\u2019Ambassade des Pays-Bas, cr\u00e9ation mondiale 2022)<\/p><p>Piotr Illitch TCHAIKOVSKI,\u00a0<em>Casse Noisette-Danse des Mirlitons<\/em><\/p><p>Renaud VINCENT,\u00a0<em>Thalweg<\/em> (2025)<\/p><p>Antonio VIVALDI,\u00a0<em>Concerto pour 4 violons en Sim,\u00a0<\/em>version pour 4 fl\u00fbtes en R\u00e9m de Olivier Guion<\/p><p>Claude VIVIER,\u00a0<em>Pulau Dewata<\/em>\u00a0(orchestration Patrice Bocquillon)<\/p><p>Henk de VLIEGER,\u00a0<em>Mobile\u2026<\/em>\u00a0(cr\u00e9ation fran\u00e7aise 2020)<\/p><p class=\"p1\">Agn\u00e8s VR\u00c2NCEANU, <em>Nori\u00a0<\/em>(2023)<\/p><p>Tetsuya YAMAMOTO,\u00a0<em>Hoquet de croissant\u00a0<\/em>(cr\u00e9ation mondiale, Prix du Jury Prix Vedrarias 2020)<\/p><p>Marie ZEGHOUD,\u00a0<em>Songe \u00e9th\u00e9r\u00e9\u00a0<\/em>(2023)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Dennis Hugh AVEY,\u00a0Color Configurations\u00a0(1983), arr. Amy RICE-YOUNG L\u00e9onard BERNSTEIN,\u00a0Divertimento pour orchestre-Waltz Georges BIZET,\u00a0L\u2019Arl\u00e9sienne-Farandole Patrice BOCQUILLON,\u00a0Territoires L\u00e9on BO\u00cbLLMANN,\u00a0Toccata,\u00a0Suite gothique Adriaan BONSEL,\u00a0Anthriscus Sylvestris\u00a0(cr\u00e9ation fran\u00e7aise 2020) Johannes van BREE,\u00a0Allegro moderato\u00a0pour 4 quatuors Sonny BURNETTE,\u00a0Flute Fandango\u00a0(2009) Christopher CALIENDO,\u00a0Flamenco Suite Derek CHARKE,\u00a0Raga Sept \u00ab\u00a0Double\u00a0\u00bb\u00a0(2014) Dimitri CHOSTAKOVITCH,\u00a0L\u2019Age d\u2019or-Polka Ian CLARKE,\u00a0Within\u2026 Dominy CLEMENTS,\u00a0The Coptic Stitch\u00a0(cr\u00e9ation mondiale 2022) Paul DESENNE,\u00a0Gurrufio (1998) Sophie DUFEUTRELLE,\u00a0Celestial &#8230; <a title=\"R\u00e9pertoire\" class=\"read-more\" href=\"https:\/\/www.resonances21.com\/index.php\/repertoire\/\" aria-label=\"En savoir plus sur R\u00e9pertoire\">Lire la suite<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-187","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/pages\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/comments?post=187"}],"version-history":[{"count":4,"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/pages\/187\/revisions"}],"predecessor-version":[{"id":192,"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/pages\/187\/revisions\/192"}],"wp:attachment":[{"href":"https:\/\/www.resonances21.com\/index.php\/wp-json\/wp\/v2\/media?parent=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}